VBS News Net: Party members of the VBS party branch went to the He Xiangning Art Museum to visit the red calligraphy and painting exhibition from October 30 to 31 to celebrate the 100th anniversary of the founding of the CPC.
Secretary Yang hoped that while visiting the exhibition, everyone could understand the connotation of the Communist Party of China and improve their skills to take their responsibilities and missions seriously.
The exhibition consisted of three parts. Party members reviewed the glorious achievements of the CPC and the outstanding achievements made by the multi-party cooperation led by the CPC.
The exhibition showed the original intention of people without party affiliation and democratic parties in the special zone, which expressed their opinions on adhering to the party's leadership, adhering to reform and opening up, following the political development path of socialism with Chinese characteristics, and creating a better future for the Shenzhen Special Economic Zone.
After the visit, the party members wrote down their feelings.
The exhibition of Chinese female artists in the 20th century exhibited the works of 12 female artists (He Xiangning, Feng Wenfeng, Gu Fei, Li Qiujun, Chen Xiaocui, Zhou Xianxia, Wu Qingxia, Lu Xiaoman, Fang Junbi, Yang Yinfang, Guan Zilan, and Yu Feng). In terms of artistic thought, they were revolutionaries who devoted themselves to society, new ladies who inherited the tradition, and new women who were committed to westernization. From the perspective of artistic orientation, they were all affected by the ideological trend of the times and social changes, inherited the tradition, studied western painting, or integrated Chinese and western culture. While inheriting the excellent traditional Chinese art, their works also reflected the courage of women in the Republic of China to survive independently. Enlightened by the thought of the new art movement, they explored the true meaning of the integration of Chinese and Western art and created a new art culture.
As women, teachers, and Party members, we should always maintain independence, self-improvement, and perseverance and be strict with ourselves. There is no actual desperate situation, just desperate thinking. As long as the heart has not dried up, the desolate land will become a vibrant oasis.
Liu Mei:
When I first walked into the He Xiangning Art Museum, I knew it was the first National Art Museum named after an individual in China. I had a deeper understanding of Ms. He Xiangning. She is a great woman who was both a social activist and an artist. I was deeply impressed by the artworks of Chinese women such as Lu Xiaoman and Wu Qingxia and the architectural works of Shenzhen after the reform and opening up. I benefited a lot from this visit.
The documents provided by Ms. Ma Wei
Edited by Linda
Translated by Reny
VBS News Net: Party members of the VBS party branch went to the He Xiangning Art Museum to visit the red calligraphy and painting exhibition from October 30 to 31 to celebrate the 100th anniversary of the founding of the CPC.
Secretary Yang hoped that while visiting the exhibition, everyone could understand the connotation of the Communist Party of China and improve their skills to take their responsibilities and missions seriously.
The exhibition consisted of three parts. Party members reviewed the glorious achievements of the CPC and the outstanding achievements made by the multi-party cooperation led by the CPC.
The exhibition showed the original intention of people without party affiliation and democratic parties in the special zone, which expressed their opinions on adhering to the party's leadership, adhering to reform and opening up, following the political development path of socialism with Chinese characteristics, and creating a better future for the Shenzhen Special Economic Zone.
After the visit, the party members wrote down their feelings.
The exhibition of Chinese female artists in the 20th century exhibited the works of 12 female artists (He Xiangning, Feng Wenfeng, Gu Fei, Li Qiujun, Chen Xiaocui, Zhou Xianxia, Wu Qingxia, Lu Xiaoman, Fang Junbi, Yang Yinfang, Guan Zilan, and Yu Feng). In terms of artistic thought, they were revolutionaries who devoted themselves to society, new ladies who inherited the tradition, and new women who were committed to westernization. From the perspective of artistic orientation, they were all affected by the ideological trend of the times and social changes, inherited the tradition, studied western painting, or integrated Chinese and western culture. While inheriting the excellent traditional Chinese art, their works also reflected the courage of women in the Republic of China to survive independently. Enlightened by the thought of the new art movement, they explored the true meaning of the integration of Chinese and Western art and created a new art culture.
As women, teachers, and Party members, we should always maintain independence, self-improvement, and perseverance and be strict with ourselves. There is no actual desperate situation, just desperate thinking. As long as the heart has not dried up, the desolate land will become a vibrant oasis.
Liu Mei:
When I first walked into the He Xiangning Art Museum, I knew it was the first National Art Museum named after an individual in China. I had a deeper understanding of Ms. He Xiangning. She is a great woman who was both a social activist and an artist. I was deeply impressed by the artworks of Chinese women such as Lu Xiaoman and Wu Qingxia and the architectural works of Shenzhen after the reform and opening up. I benefited a lot from this visit.
The documents provided by Ms. Ma Wei
Edited by Linda
Translated by Reny
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